Photographing the Red Poppy Railroad: Finding Story in the Small Stuff

Recently, I spent a quiet afternoon photographing the Red Poppy Community Garden Railroad, a miniature recreation of Georgetown, Texas, hidden behind Mulligan’s Restaurant in Sun City. I was brought on to document the scene, especially the newly remodeled City Post Chophouse railcar placed in front of its mini counterparts: the courthouse and the restaurant. What I didn’t expect was how much I’d enjoy getting lost in this small world.

It’s 3,800 square feet of handcrafted nostalgia. Every tiny building, train, and street has a story- you can tell this project was made with care. Some scenes feel rooted in history, while others are playful or totally unexpected. It’s the kind of place that slows you down. That invites curiosity.

The Challenge of Photographing Miniatures

Photographing miniatures forces you to think differently. It’s not fast, and it’s not forgiving. The scale alone introduces challenges that make even simple compositions more complex. But it’s also a great way to sharpen your eye and slow down your process.

1. Get your perspective right.

The biggest giveaway that you’re looking at a model is the angle. Shooting from above flattens the scene and makes everything look like a toy. I found the best results came from getting the camera down low, close to the same level as the buildings. Even a few inches of difference can change how believable the shot feels.

2. Depth of field becomes more dramatic.

At this scale, even small aperture adjustments make a big impact. I used wide apertures (f/2.8 or lower) to isolate specific buildings or subjects and create that natural, shallow depth that mimics how we see the world. If I wanted more detail across a wider scene, I stopped down and made sure my focus was locked in manually.

3. Autofocus is unreliable.

Tiny subjects with lots of fine detail can confuse most autofocus systems, especially when there’s motion like a train moving in and out of frame. Manual focus gave me better precision. I also recommend using focus peaking if your camera has it. It’s a simple way to make sure you’re locking on to the right spot, especially when working fast.

4. Watch your background.

It’s really easy to break the illusion. A perfectly composed shot can be ruined by something like a hose, fence, or someone’s shoes creeping into the corner of the frame. I made small physical adjustments—moving my feet, shifting my angle, or even using nearby props to block out distracting elements. You don’t always need to Photoshop something out if you catch it early.

5. Use natural elements to your advantage.

Even though it was midday when I shot, the large green canopy overhead diffused the light beautifully. It acted like a softbox, giving the entire layout soft, even lighting. If you’re ever shooting something like this outside and don’t have a canopy, look for open shade or bring along a small diffuser to soften harsh light. Light makes or breaks the realism.

6. Slow down and let the scene guide you.

This kind of work rewards patience. I gave myself time to just walk around and observe before even pulling out my camera. What stood out? What details felt interesting? Where was the light hitting? Those small observations made a big difference in what I chose to focus on.

7. Don’t forget to move your feet.

Zooming in is tempting, but it flattens things and exaggerates scale in weird ways. I got better shots when I physically moved closer or repositioned myself to find a better angle. It also helped uncover new compositions I wouldn’t have seen otherwise.

Light, and a Bit of Luck

One thing that worked heavily in my favor that day was the lighting. There’s a large green canopy overhead that acts as a natural diffuser, softening all the light across the layout. I didn’t have to fight with harsh midday sun or deep shadows. The whole scene was evenly lit, which gave the details a chance to shine without distraction. I still kept an eye out for moments when the light shifted slightly or a corner was catching the right kind of glow. Even diffused light has its sweet spots.

Seeing Differently

What I liked most about this shoot was that it made me approach things a little differently. I couldn’t rely on my usual instincts. I had to slow down, move with more care, and think about what story I was telling with each frame. What do I want someone to notice first? What’s hidden in the background? What detail feels easy to miss?

It reminded me of why I enjoy photography in the first place. Not for big, flashy moments. But for small ones that ask you to really pay attention.

Final Thoughts

The Red Poppy Railroad might be small in scale, but it’s huge in character. And honestly, it was refreshing to photograph something that felt like it was made purely for the love of it. That’s rare.

If you’re curious, you can see some behind-the-scenes and final edits from the shoot over on my YouTube channel. And if you’re heading to the Red Poppy Festival this weekend, it’s worth swinging by the railroad to take a closer look for yourself.

It’s a reminder that sometimes the best stories are found in the smallest places.

If You’re New to Photography, Start Here: 10 Tips I Wish I Knew

When I first started taking photos, I felt like I had stepped into a world full of potential and beauty, but also one packed with confusing settings, conflicting advice, and pressure to be perfect. If that sounds familiar, I get it. You want to capture the world the way you see it, but maybe you are not quite sure how to translate that into an image that feels as strong as the moment did in real life.

The good news is that growth in photography comes from practice, patience, and perspective. Here are ten lessons I wish someone had broken down for me when I first began. These are not just quick tips. These are building blocks you can keep returning to as you develop your craft.

1. You Do Not Need Expensive Gear to Start

It is so easy to get caught in the gear trap. When you are just starting, it is tempting to think you need the latest camera body, a huge collection of lenses, or fancy accessories to be a “real” photographer. But the truth is, the best camera is the one you will actually carry and use.

Start with what you have, whether that is a smartphone, a hand-me-down camera, or a basic DSLR or mirrorless model. Learn how to use it fully. Read the manual. Explore the menu system. Understand how to adjust focus, exposure, and white balance. Practice using your kit lens creatively. It will teach you how to work with limitations, which will make you a better photographer in the long run.

You can always upgrade your gear later. But right now, the most important thing is building your eye, not your gear bag.

2. Study Light Like It Is Your Favorite Subject

Photography is about light. Not gear. Not location. Light. The way it moves. The way it wraps around subjects. The way it creates mood, contrast, and texture.

Start noticing the light around you throughout the day. Watch how it changes from morning to afternoon to evening. Study shadows on the sidewalk. Look at how window light falls on a table. Photograph the same subject at different times of day to see how the mood shifts.

When shooting portraits, try facing your subject toward the light for an even glow. Or place the light behind them for a dreamy, backlit effect. When shooting landscapes, aim for golden hour, the hour after sunrise or before sunset, for soft, warm tones and long shadows.

Also pay attention to the quality of light. Is it hard and direct, creating sharp shadows and high contrast? Or is it soft and diffused, giving a gentle look to skin and surfaces? Cloudy days, sheer curtains, and shaded areas all provide beautiful soft light.

Learning to observe and manipulate light will elevate your photography more than any camera setting ever will.

Shot at midday with harsh, direct light… notice the crisp shadows and strong contrast compared to softer golden hour tones

Golden hour transforms a familiar view into something cinematic… soft light, long shadows, and just enough drama in the sky

3. Understand the Rule of Thirds, but Trust Your Eye

The rule of thirds is a composition guideline that suggests placing your subject off-center, along imaginary lines that divide your frame into thirds horizontally and vertically. It is a great starting point because it creates balance and visual interest.

But do not treat it as a strict rule. Once you understand it, feel free to ignore it. Center your subject for a dramatic or symmetrical look. Use leading lines, negative space, or intentional imbalance to guide the viewer’s eye.

What matters most is how your photo feels. Does the composition support the story you want to tell? Does it make the viewer pause and engage? Start with the rule of thirds as a baseline, but then experiment. Trust your gut. Move your feet. Reframe the shot. There is no perfect composition, only the one that works for that moment.

Notice how his eye lines up near where the grid lines cross… that’s the rule of thirds helping the photo feel more balanced and interesting (Rule of Thirds)

4. Change Your Angle and Change Your World

Most people shoot from eye level because it feels natural. But photography is all about perspective. A slight shift can turn a boring shot into something memorable.

Try getting low and shooting upward to make your subject feel larger or more dramatic. Lay on the ground for a dog’s-eye view of the world. Climb something safely and shoot down for an overhead perspective. Shoot through objects like leaves, glass, or fabric to create depth and framing.

If you are shooting portraits, tilt the camera slightly for a dynamic angle, or step to the side and use a longer focal length for compression. If you are photographing architecture, move until the lines align the way you want them to.

Angles affect emotion. A low angle can make someone look powerful. A high angle can feel vulnerable or playful. Change your point of view and you will start to see everything differently.

Low-angle view of the fallen Icarus statue and the Temple of Concordia in Agrigento, Sicily. Shot from ground level to emphasize scale and grandeur

5. Shoot More Than You Think You Need, Then Edit Like a Pro

When you are learning, take a lot of photos. Try different settings, compositions, and lighting setups. Do not worry about getting it perfect on the first try. The more you shoot, the more you learn. You will start to notice what works and what does not.

But when it is time to select your final images, be ruthless. You do not need to show everything. Choose the shots that tell a story, evoke a feeling, or make you pause. Quality over quantity.

Learn to use editing software like Lightroom or Capture One. Start simple. Adjust exposure, contrast, highlights, and shadows. Pay attention to color temperature. Cropping can completely change the impact of an image. Do not overdo it. A light touch can go a long way.

Editing is part of the creative process. It helps you refine your voice and add intention to your work.

Adobe Lightroom Classic

6. Find Beauty in the Details

Not every photo has to be a sweeping landscape or an epic moment. Some of the most powerful images are quiet and intimate. Look for small details. A chipped teacup. A reflection in a puddle. The texture of peeling paint. The way light hits someone’s eyelashes.

Train yourself to notice the things other people miss. These kinds of shots tell stories too. They often capture the emotion or atmosphere of a place better than a wide-angle scene.

Try using a macro lens or a lens with a wide aperture to blur the background and make small things stand out. Look for patterns, textures, and color contrast. Zoom in and isolate a subject. Ask yourself what you want the viewer to notice first.

The more you slow down and observe, the more beauty you will find in ordinary moments.

Close-up of a pale rose (lookup photo/was hanging over head) captured with a shallow depth of field to highlight detail and texture… an example of finding beauty in small, overlooked moments (Tuscany, Italy)

7. Manual Mode Can Wait. Focus on Learning One Setting at a Time

You do not have to shoot in full manual mode to be a “real” photographer. In fact, trying to master everything at once can be overwhelming. A better approach is to break it down and learn one element at a time.

Start with Aperture Priority mode. This lets you control the depth of field, how much of your photo is in focus, while the camera adjusts the shutter speed for you. Use a wide aperture like f/2.8 for portraits to blur the background, or a narrow aperture like f/11 for landscapes to keep everything sharp.

Then explore Shutter Priority mode. This lets you control motion. Use a fast shutter speed like 1/1000 to freeze action, or a slow shutter speed like 1/10 to create motion blur or light trails.

Once you feel confident with both, start experimenting with full manual. The key is understanding the exposure triangle, aperture, shutter speed, and ISO, and how each setting affects your image.

Take your time. You are not behind. Mastery comes through repetition, not pressure.

To freeze action like this, I used a fast shutter speed… learning just that one setting made a big difference in capturing motion

8. Make Photography Part of Your Everyday Life

You do not need a special occasion to take photos. In fact, some of your best work might come from the most mundane days. Practice noticing. Keep your camera accessible. If you use a phone, clean the lens and open the camera app often.

Photograph your breakfast. Your dog sleeping in the sun. Your shoes by the door. These small details form the visual diary of your life.

Set small challenges. Shoot only in black and white for a day. Capture one photo each hour. Explore a color theme or a mood. You do not need hours of free time or epic locations to practice photography. You just need curiosity and a willingness to look closer.

The more you shoot, the more confident you will become. The camera will start to feel like an extension of your brain and your heart.

The morning routine with Luca: this wasn’t planned… just a quiet moment, good light, and my camera within reach

9. Be Kind to Yourself While You Learn

Photography has a learning curve. You are going to take blurry photos. You will miss focus. You will forget your settings and overexpose the sky. That is okay. Every photographer goes through it.

You are not failing. You are learning. And every mistake is data that helps you improve.

Try not to compare yourself to others, especially online. What you see on Instagram or photography websites is often the result of years of experience, post-processing, and careful curation. Focus on your own progress. Look back at your earlier work every few months. You will be amazed at how far you have come

Give yourself space to grow. You do not need to be perfect. You just need to be consistent and open to learning.

This edit is over 10 years old and absolutely dipped in cotton candy… but back then, I was just proud I got up for sunrise and pressed the shutter

10. Never Stop Having Fun

This might be the most important tip of all. Do not let the rules, the gear talk, or the pressure to perform steal your joy. Photography is a creative outlet. A way to tell stories. A way to connect with the world and with yourself.

Try new things. Play with reflections. Use weird angles. Photograph things that make you laugh. Document your adventures, your quiet mornings, your random late-night walks. Be curious. Be weird. Be brave.

Photography does not have to be serious to be meaningful. The images that matter most are the ones that feel true to you.

Taken over 10 years ago with my first DSLR… no plan, no pressure, just having fun with a mirror and a camera I was still figuring out

Final Thoughts

You do not have to be perfect. You just have to begin. Let these tips be your starting point, not your finish line. Keep showing up. Keep learning. Keep creating.

And if you ever need guidance, encouragement, or someone to walk the journey with you, feel free to reach out. I love helping fellow creatives find their rhythm… let’s see what we can build together.

Before you go, be sure to check out the store for new prints and fresh gear, and follow along on Instagram and YouTube for more photo tips, behind-the-scenes content, and creative inspiration.

Your vision matters, even if it’s still taking shape. Let your camera help you find it.

Until next time, keep creating.

A Photographer’s Paradise: My Day at the Texas Photography Festival

This past Saturday, I attended the Texas Photography Festival, and as always, it did not disappoint. This event is easily my favorite of the year, my personal Super Bowl if you will. From the moment I arrived, I was excited to dive into a full day of photography, inspiration, and community.

The day started with the KEH morning photo walk, which was perfectly timed with Pistons on the Square still being set up. Classic cars from around town filled the area, giving us plenty of opportunities to capture the details, colors, and character of these vintage beauties. I focused on getting close-ups of intricate hood ornaments, reflections in polished chrome, and the rich textures of leather interiors. Walking through the town with my camera in hand, surrounded by fellow photographers, felt like the perfect way to start the festival. The energy was great, and there was something really satisfying about blending the nostalgia of old vehicles with the candid moments of people wandering the streets, admiring the craftsmanship of these classic machines.

1959 Chevrolet Apache

After the walk, I listened to the opening remarks by David Valdez, a former White House photographer who shared his journey in photography and the history of how the festival started. Following that, Karine Aigner, a National Geographic photographer, took the stage as the first speaker of the day. Her talk was incredibly inspiring. She spoke about her experiences in wildlife and conservation photography, how she built her career, and the challenges she overcame. There is something about hearing another photographer's struggles and triumphs that reignites my own passion for what I do. I walked away from her talk feeling energized and eager to keep pushing forward on my own path.

1966 Ford Mustang

I was not able to attend the second photo walk since it had already reached max capacity. Instead, a few friends and I took the time to explore the square, stopping by the Nikon booth to check out the latest gear because who does not love eyeing new camera equipment before grabbing a quick lunch. I got to test out a few lenses and see how they handled in different lighting conditions, which was a fun hands-on experience. Before we knew it, it was time for the afternoon photo walk, the one I had been looking forward to the most.

This walk was all about street portraits, and I could not have been more excited. There were three models present, and having the opportunity to work on capturing portraits in a more dynamic, real-world setting was exactly what I had hoped for. The host of the walk was fantastic, offering tips and answering any questions we had. One of the biggest takeaways for me was learning how to direct models naturally in an outdoor setting while adapting to shifting light conditions. I experimented with different compositions, using alleyways and storefronts as backdrops to create a sense of depth and character in my shots. I walked away feeling really good about the photos I captured.

Model: Rachael Healey

Lastly, I attended a workshop focused on single-light studio portrait photography. This session was a game-changer for me. The instructor broke down how to use a single light source effectively to create dramatic and flattering portraits. We went over different light modifiers like softboxes, umbrellas, and reflectors, learning how each one shaped the light in unique ways. I practiced positioning the light at various angles to create different moods, from high-contrast, moody shots to soft and even lighting. This workshop reinforced the idea that you do not need an elaborate studio setup to create professional-quality portraits, just a strong understanding of light and how to control it. It was an incredibly valuable session that I will be applying to my future portrait work.

Looking back, the Texas Photography Festival once again proved why it is my favorite event of the year. The combination of great people, hands-on experiences, and inspiring talks makes it something I look forward to every time. Whether it was shooting classic cars in the morning, taking in an inspiring keynote, working on my street portraits in the afternoon, or learning about single-light studio techniques, every moment of the day reminded me why I love photography.

Until next year, Texas Photography Festival. I will be counting down the days.

📸 If you want to see more from my experience, be sure to check out the full gallery where I have shared some of my favorite shots from the festival. You can find it here: Photo Gallery 📸

If you enjoyed these photos, be sure to follow me on Instagram for more photography updates and behind-the-scenes moments. I am also starting to create more videos, so check out my YouTube channel for photography content, travel films, and more. Let’s connect and keep the creative conversation going!

Follow me on Instagram: @DizSpartan

Subscribe to my YouTube channel: DizSpartan

Until next time y’all, keep creating!

RJ, Diz, Peter (L to R) (Courtesy of Chris W @cdw21 )

A Journey Through the Alps: Riding the Bernina Express

The Bernina Express is often hailed as one of the most scenic train rides in the world, and after experiencing it firsthand, I can confidently say it lives up to the hype. My journey began in Tirano, Italy, where I boarded the train bound for Ospizio Bernina, the highest point along the route at 2,253 meters (7,392 feet) above sea level. From there, I continued my adventure by car to St. Moritz, spending a few hours exploring before heading back toward Milan. Along the way, I captured the breathtaking landscapes of the Swiss Alps, and I’m excited to share my experiences, photos, and tips for making the most of this unforgettable ride.

Why the Bernina Express?

This railway is a UNESCO World Heritage Site, running through tunnels, across viaducts, and past glacial lakes and snow-capped peaks. It’s a dream for photographers and nature lovers alike. Unlike many mountain railways, the Bernina Express doesn’t rely on a cogwheel system…it’s a feat of engineering that winds through steep gradients with ease.

Along the Brusio Spiral Viaduct, Brusio, Switzerland

My Experience: From Tirano to Ospizio Bernina

I opted to take the regional train instead of the official Bernina Express panorama train, and here’s why:

1. Better Photography Opportunities – The regional train has windows that open, unlike the panoramic cars, allowing for clear, reflection-free shots and even some fun selfies.

2. Flexible Seating – The official Bernina Express has assigned seating, but the regional train lets you move around. This is important because the best views alternate between the left and right sides of the train.

3. Lower Cost – It’s significantly cheaper, making it a great option for those wanting the same epic views without the premium price tag.

As the train climbed higher, the landscapes became more dramatic. The Brusio Spiral Viaduct, a famous loop bridge, was one of the early highlights, followed by towering peaks and frozen lakes, but my favorite was the glacier lake of Alp Grüm.

Alp Grüm, Poschiavo, Switzerland

Ospizio Bernina: The Rooftop of the Bernina Line

Reaching Ospizio Bernina felt like stepping onto another planet. At 2,253 meters (7,392 feet), it's the highest railway station in the Rhaetian Railway network, sitting in a remote and almost otherworldly landscape. The area is flanked by Lago Bianco and Lej Nair, two stunning alpine lakes that reflect the surrounding peaks like nature’s own mirrors.

Lago Bianco, Ospizio Bernina, Poschiavo, Switzerland

Even in warmer months, the air up there is crisp, and depending on the season, you might find yourself surrounded by snow, mist, or clear blue skies that stretch forever. It’s a stark, wind-swept contrast to the lower valleys, and the silence at this altitude is almost surreal—except when a train rolls in, breaking the stillness with its arrival.

If you ever wanted to feel completely detached from the modern world, this is the place. It’s a perfect spot to just stand, breathe, and take it all in before heading down into civilization again. And, of course, an incredible place to snap some photos that make it look like you’ve journeyed to the edge of the Earth.

Ospizio Bernina, Poschiavo, Switzerland

Driving to St. Moritz

After reaching Ospizio Bernina, I switched gears…literally…and took the scenic drive down to St. Moritz. The road offers incredible vantage points, and stopping along the way to soak in the views was well worth it. However, I’ll admit, the drive is not for the faint of heart. It’s like a rollercoaster built by a Swiss engineer with a passion for stunning views and heart-stopping drop-offs. With every twist and turn, you get a front-row seat to all your past life decisions flashing before your eyes.

Finding Tranquility in St. Moritz

After that wild ride, St. Moritz, with its pristine lake and luxury boutiques, was the tranquility I desperately needed. The contrast between the rugged alpine adventure and the serene lakeside town couldn’t have been more striking. After surviving the drive, the calm of St. Moritz felt like a deep exhale.

Following an interesting taxi ride to find a chocolate shop (a story for another time), I spent the rest of my time by the lake, photographing the serene surroundings and finally letting my heart rate return to normal.

Lake St. Moritz, St. Moritz, Switzerland

Final Thoughts & Tips

• Take the regional train instead of the official Bernina Express for better photo and video opportunities.

• Sit on the left side when departing from Tirano for the best initial views, but be ready to switch sides as the train ascends.

• Dress in layers, even in summer—temperatures can change drastically at higher altitudes.

• Bring a camera or GoPro—you’ll want to capture every moment. I filmed highlights of my trip, which you can watch here.

• Check out my full photo gallery of the journey and the beauty of the Swiss Alps here.

The Bernina Express is more than just a train ride—it’s an experience. Whether you’re a photographer, a traveler in search of adventure, or simply someone who loves stunning landscapes, this journey is one for the bucket list.

Now available: My Alp Grüm fine art print is in the shop! Bring home the beauty of the Swiss Alps—shop the print here.

Until next time, keep exploring and creating!

A Glimpse Into the Trenches: Bringing WWI Back to Life

Stepping Into the Past: Capturing History at the Over There! 1918 WWI Reenactment

There’s something surreal about standing on a battlefield frozen in time—where history isn’t just remembered, but relived. That’s exactly what happened at Over There: 1918, a World War I reenactment at Camp Mabry, hosted in collaboration with the Texas Military Forces Museum.

I’ve photographed a lot of historical events, but this one felt different. Maybe it was the detail in the uniforms, the weight of the moment as soldiers moved through the foxholes, or the distant echoes of gunfire bringing history back to life. Maybe it was how WWI, though overshadowed by later conflicts, still lingers in the shadows of time, its stories waiting to be told.

A Battlefield Reborn

The reenactors weren’t just putting on a show—they were embodying the soldiers of 1918, from the gritty American doughboys to the German forces dug into their positions. The air felt heavy with anticipation as soldiers marched forward, rifles at the ready, gas masks slung over their chests. The pop of gunfire and the deep rumble of the tank moving across the field only added to the immersion.

One of my favorite moments to capture was the gas attack simulation. Seeing soldiers scramble to put on their masks, the haze of war settling around them, made for some of the most intense shots I’ve taken. There’s something about the sight of a soldier behind the haunting eyes of a gas mask that stops you in your tracks. It’s an eerie reminder of how warfare changed forever during WWI.

The Human Side of War

Among the chaos of battle, I found some of my favorite shots in the quiet moments—a soldier pausing to light a cigar, another staring off into the distance, lost in thought. These glimpses of stillness, of humanity, are what I love most about photographing reenactments. They remind me that history isn’t just about battles and tactics—it’s about the people who lived it.

One particularly striking image was of a soldier walking away, rifle slung over his shoulder. No action, no grand battle—just a simple step forward into the unknown. It made me think about the real men who once walked this same uncertain path over a hundred years ago.

Why Events Like This Matter

Reenactments like Over There: 1918 keep history alive in a way that textbooks never could. Standing a few feet away from a foxhole as reenactors take cover and return fire, you start to understand—just a little—what it must have felt like. The event was more than a spectacle; it was a tribute to those who served in the “war to end all wars.”

And for me, as a photographer, it was an opportunity to capture not just scenes, but stories. The grit on a soldier’s face, the tension in their stance, the weight of history in their eyes—these are the moments that make photography so powerful.

Looking Ahead

I walked away from this event with a new appreciation for the sacrifices made during WWI and a memory card full of images I can’t wait to share. Some of these shots have already become personal favorites, and I’m looking forward to showcasing them in future projects.

If you ever get a chance to attend Over There: 1918 at Camp Mabry, don’t pass it up. Whether you’re a history buff, a photographer, or just someone who wants to experience the past in a new way, it’s worth it.

Until next time—keep finding the beauty in history.

📸 Check out my full gallery from the event here: Over There: 1918 Gallery

🎥 Watch the video here: Over There: 1918 Video

From Dreams to Display: My First Gallery Show Adventure

Gallery Show Excitement

A few months ago, the Round Rock Arts Center announced a call to photographers for their first-ever all-photography gallery show. The moment I saw the opportunity, I knew this could be an exciting next step in my photography journey. Over the past year, I’ve been challenging myself to step out of my comfort zone—submitting to competitions like the PPA International Photography Competition and the Smithsonian Magazine Photo Contest. A gallery show felt like the next logical leap.

I bookmarked the application and kept returning to it as the deadline approached. Slowly but surely, the idea of showing my work in public began to take root. And then came the flood of questions: What photos should I submit? How many? What print size? How should I print them? Would anyone even want to buy these? After weeks of research and endless internal debates, I finally had a plan.

Just a few days before the application deadline, I sat down to complete it. I triple-checked every field, ensuring it was as perfect as I could make it. I decided to submit two pieces:

• “Echoes of the Ancestors” – A favorite from Round Rock’s Día de los Muertos celebration, which I’ve loved photographing for years. This image captures the spirit of the event with its vibrant cultural attire and energy.

• “Midnight at the Vatican” – A standout from my Rome at Night series, featuring a breathtaking view of St. Peter’s Basilica at midnight. The usually bustling Via della Conciliazione was serene, bathed in the glow of streetlights.

When I hit “Submit,” a mix of excitement and anxiety set in. I marked December 20th on my calendar, the day I’d find out if my work was accepted.

The Wait

As the days crept by, life felt a little heavy. My weekend plans for December 20th included a trip to Dallas—a much-needed getaway for rest and renewal after a tough season. On the morning of the 20th, while heading out, I made a quick stop at Buc-ee’s (aka the beautiful beaver in the sky) for breakfast tacos (if you know, you know!). Something told me to check my email, even though I was convinced it was too early to hear back.

I opened my inbox, and there it was: “Congratulations!”

I couldn’t believe it. My photos had been accepted! I shouted in my car, “I DID IT! THE PHOTOS WERE ACCEPTED!” Passersby looked over at me, wide-eyed, probably wondering what was going on. I smiled and gave them a thumbs up—it felt like a moment worth celebrating with the world.

The Big Moment

For the first time ever, my photography was going to be part of a gallery show, displayed alongside the work of so many other talented artists. I felt incredibly honored. Over the following weeks, I prepared my pieces for display. I ordered canvas prints, which turned out AMAZING (huge shoutout to Bay Photo—you’re the best!).

I was also invited to participate in an on-camera interview to talk about my photography (you can check it out below!).

Shutterbuggin’ Gallery Show

The Shutterbuggin’ Gallery Show is now open through March 8th at the Round Rock Arts Center in downtown Round Rock. The reception will be held on February 14th from 6–8 PM. If you’re in the area, stop by to chat with the photographers, hear their stories, and soak in the incredible art.

When I walked through the gallery for the first time, I was in total awe of the range of work on display. Each photograph tells its own story, showcasing the unique styles and passions of the artists behind the lens.

This experience has been such a rewarding milestone in my photography journey. I hope you’ll stop by and take a look—maybe you’ll even find a piece that speaks to you.

Marley: The Dog Who Taught Me About Unconditional Love

There’s no love or companionship quite like what a dog brings into our lives. It’s simple and often unspoken, but it’s always there—quietly felt in the most mundane and peaceful moments. Whether it’s the jingle of their name tag, the tippy taps of their paws on the floor, or the kisses and cuddles they so generously give, dogs have this incredible ability to fill our hearts in ways no one else can.

Simply put, dogs are the best. They offer an unconditional love that we crave and a comfort that grounds us. They don’t care about our bad days, messy homes, or unspoken worries. To them, we’re just their favorite person in the whole world, and they’ll remind us of that every single day.

I’ve been lucky enough to have three amazing dogs accompany me through different chapters of my life. Each one brought its own personality, quirks, and a whole lot of love to the table.

Baby Diz and Barney the Beagle, my first dog who lived 18 years

Teen Diz with Snowball, my first Westie who lived 14 years

My most recent companion was Marley, a West Highland White Terrier—hands down, my favorite breed.

There was something so special about Marley. Westies, as they’re affectionately known, are a unique blend of spunky and sweet. They’re loyal without being clingy, fiercely independent yet always by your side when you need them most. Marley had this way of knowing exactly when I needed a cuddle or a playful distraction. He wasn’t just my dog; he was my little shadow, my confidant, and my constant source of joy.

I rescued Marley when I was 19 years old. My previous Westie, Snowball, had recently passed away, and everything else in my life felt like it was unraveling (I’ll spare you the messy details). In the midst of all that chaos, I was determined to find another little companion to bring some light back into my world. My mom joined me for the trip, MapQuest directions in hand, like two pirates on a mission to claim their treasure.

Our destination? A house tucked away in the woods of Missouri. With spotty cell phone service and a growing sense of adventure (and maybe a little unease), we drove on, our minds focused on picking up the tiny puppy waiting for us—a rescue named Weeble.

The rescue had found him abandoned at a puppy mill, likely the runt of his litter. One of his ears flopped down, and his little frame spoke of resilience despite the rough start he’d had. I’ll never forget pulling up that long driveway. We were greeted by dogs the size of miniature ponies, bounding around the car like an enthusiastic welcoming committee.

Inside the house, chaos reigned in the best possible way. Birds chirped loudly, a cacophony of sound that somehow blended into the hum of life in this animal-filled haven. At the end of a hallway, in the corner of the family room, sat a giant black cage—clearly meant for one of the larger dogs. And in that cage was the tiniest white fluff ball I’d ever seen: Weeble.

I melted the moment they handed him to me. He was so small, so fragile, but his eyes radiated this spark of life. As I held him, I knew right then and there that I had a new little friend to take care of, someone who would bring joy and purpose into my life.

Diz and puppy Weeble aka Marley, the day he came home

As we finalized the adoption and started the trek back to Chicago, my mom and I began brainstorming names for our newest family member. Then it struck me. My mind went back to the walls of the rescue house, covered with photos of Bob Marley. It felt fitting. That adventure in the woods, surrounded by animals and music and love, was where our journey began—and “Marley” seemed like the perfect name to honor it.

The first night home, Marley slept in my room. A quiet whimper broke the silence, soft but persistent. I snuck out of bed and into the spare room, rummaging through a bag of old stuffed animals. After some digging, I found what I was looking for—a stuffed dog. I hurried back and placed the toy next to Marley. Slowly, he shifted, nuzzling into the plush, and finally settled down. He slept soundly like that for months, curled up with his stuffed companion, until he earned his spot in my bed. After that, he never looked back.

Marley, 2 years old

Over the years, I watched Marley blossom into his own little character. He wasn’t just my dog—he became my best friend. He loved lazy mornings and would sit with me for hours watching TV. Shows with horses or prairie dogs were his favorites, and he was a devoted fan of Bluey (honestly, same). Marley wasn’t much for toys, but he had one exception: his Lambies. Those were his prized possessions.

Marley and his Lambie

I’ll never forget when a sitter came over to help during my late shifts. She decided Marley needed new toys and tried offering him everything under the sun, insisting his Lambie had seen better days. But Marley wasn’t having it. He flat-out ignored every single new toy and clung to his Lambie like it was irreplaceable—which, to him, it was.

Marley was my partner in everything. He’d lounge in the sun while I photographed at the park, patiently taking in the sights and smells as I snapped away. For the past 15 years, he was by my side through every triumph, every failure, and all the in-between moments that make up a life. His love never wavered.

About a month ago, Marley was diagnosed with adrenal and bladder cancer. Despite everything, his spirit stayed strong. He fought with a resilience that amazed me every single day. On his last day, he was still the same Marley—brave, loving, and full of the quiet strength that defined him.

The joy he brought into my life is impossible to explain or measure. It can only be felt now in the grief left behind. The house feels different without him—quieter. His Lambies sit untouched on the shelf. The timers I once set for his medications now ring into an empty room. I still catch myself thinking it’s time to feed him dinner or take him on one of our hourly strolls down the driveway.

The sadness is heavy, but it’s a reflection of the love he gave me, the joy he brought, and the memories we shared. Marley wasn’t just a dog; he was family. And though he’s gone, his spirit will always be with me, in every quiet moment and every happy memory.

Dogs have an extraordinary way of weaving themselves into the fabric of our lives, leaving a lasting mark on our hearts. Marley was no exception. From the moment I met him to his final day, he was so much more than a pet—he was my confidant, my partner, and my constant source of unconditional love.

Though the house feels quieter now, I know that Marley’s presence will never truly leave me. He’s there in the stillness of the mornings, in the warmth of the memories we created, and in the love that continues to linger in every corner of my life.

Marley’s journey reminds me of the profound bond we share with our dogs. They teach us to find joy in the little things, to embrace life with an open heart, and to love without limits. For 15 years, Marley showed me what it meant to be loved unconditionally, and that’s a gift I’ll carry with me forever.

While I miss him every single day, I’m grateful for the incredible adventure we shared. Marley’s spirit will always inspire me to see the beauty in the world, to embrace life’s simple joys, and to hold onto the love that makes it all worthwhile.

Thank you, Marley, for everything.

Finding My Footing: Taking Chances and Growing as a Photographer

The past couple of years, I’ve decided to take my photography seriously—building my portfolio, learning everything I can, and honing my skills. I’ve been holding tight to my motto: “Keep going and just do the next best thing.” This year, I felt it was time to step outside my comfort zone and push myself further. No more holding back.

I’ve felt my portfolio grow, filled with photographs that hold meaning to me, but I knew I needed to take the next steps to elevate my work. I had to take a leap into the deep end.

It started with joining the Professional Photographers of America’s International Photography Competition. This yearly competition brings together some of the top photographers in the country, featuring 16 categories and a chance to have work judged live at the Imaging USA event. I knew the competition would be fierce, but I was ready to challenge myself.

After carefully culling through my library, I landed on a quiet night scene from Rome—one of my favorite photos from a series I captured this summer in Italy. It felt like the perfect choice for the landscape category. I anxiously filled out the submission form, paid the fees, and sent the photo off to be evaluated. Weeks turned into months, and on November 7th, the results were finally released.

Pathways of Power: The Roman Road to Capitoline Hill and Caesar's Forum

I logged into my account with my expectations set at rock bottom. Self-doubt and imposter syndrome hit hard. Who was I to compete against the best photographers in the country? As the page loaded, I held my breath, and when the results appeared, I couldn’t believe what I was seeing. My photo placed 44th out of 241 entries—top 50 in my first-ever professional competition. My jaw dropped, and for the first time, I started to believe that maybe my work is better than I’ve allowed myself to think.

Professional Photographers of America International Photography Competition Results

But I wasn’t done pushing myself.

The Smithsonian Magazine Photo Contest has been one of my “holy grail” goals for years. I’ve submitted photos in the past, but none had ever been accepted. When this year’s submissions opened, I didn’t hesitate to send in my Rome photo, hoping it would finally get my foot in the door. Weeks passed, and the photo stayed in the dreaded “pending” queue.

As time droned by, another photo was prominent in my head. A photo I had taken earlier this month at the annual Día de los Muertos event in Round Rock, Texas—one of my favorite events to photograph every year. The image captured a Danza Azteca Guadalupana performer mid-spin, their feathered headdress flowing, their gaze locked with the camera. It was one of those rare moments that felt like magic, and I’d received positive feedback on it from friends and fellow photographers. I knew it had potential.

Jose, a Danza Azteca Guadalupana performer at the annual Round Rock Día de los Muertos event

There was just one problem: I needed a model release to secure the submission. It took hours of battling nerves, but at nearly midnight, I messaged the organization to ask if they could help me contact the performer. Within minutes, I got a response: “That’s me in the photo! I’ll release it!”

With the paperwork signed, I submitted the photo, titled “Echoes of the Ancestors,” and took a deep breath. I hoped this submission wouldn’t languish in the pending abyss like others.

Hours passed and curiosity got the better of me. I reopened the Smithsonian submission page, and to my shock, the status next to my photo had changed. It no longer said “pending.” It said “accepted.”

My photo was officially in the running and listed on the contest page. While it’s just the first step, this feels monumental to me. Seeing my work alongside so many talented photographers is an honor I can’t put into words.

Smithsonian Magazine Photo Contest website submission page

The results and finalists won’t be announced until spring 2025, so it’s a waiting game now. While I’m not holding my breath, the simple fact that my photo is in the running is a win I never expected.

This year of pushing myself has been full of surprises, but it’s shown me that when you just keep going and do the next best thing, amazing things can happen. From placing top 50 in a national competition to being accepted by the Smithsonian Magazine to be in the running, I’m proving to myself that following your passion and taking risks pays off.

I can’t wait to see where the journey takes me next. Remember, keep going and do the next best thing.

PS. if you’d like to see the submission page on the Smithsonian website, I’ll leave the link HERE

Field of Honor- Veterans Day Weekend

This past weekend, I had the privilege of spending time at the Georgetown Rotary Club’s Annual Field of Honor. If you’ve never experienced it, imagine a sea of red, white, and blue…thousands of flags perfectly aligned, each one honoring an individual. It’s a sight that words can scarcely do justice, a place where beauty and reverence intertwine.

The wind seemed to dance through the field, catching the flags in a delicate ballet. Each ripple and sway told a story, evoking emotions of pride, gratitude, and reflection.

Every day of the event brought something unique, yet all were bound by a shared purpose: honoring those who have served and sacrificed.

• Veterans’ Resources: The event served as a connection point, bringing veterans and their families face-to-face with the services and support available to them. It was heartening to see conversations spark between those who understand the sacrifices of military life.

• Celebrating the Marine Corps’ 249th Birthday: The weekend also marked a moment of celebration as we honored the Marine Corps’ rich history and traditions. The pride and camaraderie were palpable, a testament to the enduring spirit of the Corps.

Marine Corps Birthday cake cutting ceremony. A tradition where the oldest and youngest marine are honored with the first slice and bite of the cake.

• Honoring Veterans: Silence fell over the crowd as we paid tribute to our veterans. There was song, there were speeches, but above all, there was a profound sense of unity and support. It was a reminder that we owe so much to those who have fought to protect our freedoms.

Georgetown Police Honor Guard

As I walked through the rows of flags, I couldn’t help but think of the lives represented here….each one a story, each one a sacrifice. The Field of Honor is more than an event… it’s a living tribute, a moment to pause, reflect, and say thank you.

This weekend wasn’t just about the past; it was about the present and the future, about ensuring that those who serve know they are seen, valued, and supported.

To the Georgetown Rotary Club and everyone who contributed to this event: thank you. Your work transforms a field into a sacred space, a place where gratitude takes form in the colors of our nation’s flag.

Until next year, may we carry the lessons of this weekend in our hearts and remember the countless individuals these flags represent.